The Similarity And Diversity Of The Artistic Works Of Toros And Onino

Born in Armenia in 1978, Onino has always been a high-quality painter, but it is uncertain whether he will take art as a career choice. However, after working in a professional art institution, Onino met the works of the Russian master Toros, which has brought great changes to the students. Inspired by Rose’s art school, she began to study art hard. As an independent painter, Toros, who played a great influence in forming the experience of Onino, showed her deep creative potential, which cannot be ignored.

It would be very unfair to say that Toros’ influence on her works of art is simulated. It refers more to the behavior of absorbing and changing similar programs, strokes and thoughts. All of these should be given priority. Onino was particularly interested in the excited and strange face of Toros, who had studied art in the United States for two years. But by this time, the ambassador successfully let her know her attitude and improved her creativity through a large number of canvases.

Any comparison between the master and the student can not be regarded as an artistic simulation at any party, which is actually recognition of the artistic level of all painters. While trying to emphasize the elegance of all artists’ creation, we should also pay attention to the external influence of the whole work.

As expected, the influence of Vagarshak Torosjin can be seen from some of Onino’s past works, although she still retained some of her works in the following years. More importantly, in the second half of her artistic career, we can find the oddity of Onino as a painter, and people in the early days paid attention to the similarity of the characters. Especially in the description of the characters, this includes the same tight face and strange expression. From another perspective, we can find that the role of Toloxian and Gashak is sometimes more practical and sometimes more completely magical, and the role of Onino is in the middle. Interestingly, her role is more practical than reality In other words, it gives people a bigger impression, richer and bolder in behavior.

The works of Vagarshak Torosjin and Onino cannot help but discount, highlighting the various hats worn by characters. Although Toros has no hat on his face(although other characters in the painting do wear hats) All of Onino’s masterpieces have characters wearing hats of a certain color. In fact, all of Onino’s hats are extraordinary and as attractive as the characters themselves.

On the other hand, quantum has maintained the influence of cubism. Onino is sometimes better than her teacher. Her teasing of shape is so subtle and subtle that people may miss it if they do not look at it from the perspective of perfectionists. The integration of natural factors and emotions into each painting is the focus of Toloxian, Gazak and Onino. However, Torosian and Garsark left almost no hint of feminist tendency in his masterpieces, but Onino’s paintings were satisfied with this tendency.

Onino’s pursuit of romance, marriage, frenzy and affluent life makes her works give a special impression different from those of Toros. Toros is more able to connect the two realms of fiction and realism. As in other areas, the two artists’ preference for the theme is uneven.

In addition, Torosijn Vagarshak’s brave strokes are a palette of more refined strokes of OniO, which is a personal choice when observing the two painters.

In their works of art, the two artists showed abundant evidence of mastery, whether it was laughter, desolation, infatuation, passion, anger or dissatisfaction. It is in this similarity that artists show their creative potential and impression. Onino makes her vividly reflect her assertion as a talented artist.